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22:40

Avery Brooks Discusses His Passion for the Stage.

Actor AVERY BROOKS. He reached stardom with his TV portrayal of "Hawk," the strong, almost silent partner in the detective series "Spenser for Hire." He took that character into its own series last season. Brooks brings to his TV work the same concern for African-American culture that has marked his stage career and his life. He won acclaim for his reinterpretation of the Harriet Beecher-Stowe character "Uncle Tom" in a production on the Showtime cable channel, and for his stage portrayal of Paul Robeson.

Interview
03:46

White Writers' Misguided Attempts at Racial Authenticity

Linguist Geoff Nunberg reflects on the use of racist terminology in the musical Show Boat. He says that later revisions were still problematic: they illustrated the enduring assumption that white liberals can accurately and authentically portray African American culture.

Commentary
06:58

The Cultural Heritage of American Musicals

Classical music critic Lloyd Schwartz reviews a new Smithsonian box set of American musicals from throughout the twentieth century. His only complaint is that, with such a wealth of archival material, he wonders why more serious and contemporary music was included.

Review
27:50

Broadway Lyricist Sheldon Harnick

Harnick collaborated with composer Jerry Bock on hit musicals like Fiorello! and Fiddler on the Roof. One of their earlier works, She Loves Me, has found newfound success; the original cast album has just been reissued on CD.

Interview
06:38

A Double Album of Fred Astiare

Jazz critic Kevin Whitehead says the movie star had a range of about six notes, but he had personality and a swinging house band. Yet Astaire deserves praise for making famous several songs which later became standards.

Review
06:46

A Modern Take on "A Soldier's Tale"

Classical music critic Lloyd Schwartz reviews an all-star recording of Stravinsky's jazz-inspired theater piece, which features Sting, Ian McKellen, and Vanessa Redgrave.

Review
06:34

A Quiet Landmark Musical

Classical music critic Lloyd Schwartz never saw She Loves Me on Broadway, but recently discovered the reissued original cast recording. He says the musical has the feel of classic operetta, and succeeds at everything it sets out to do.

Review
03:26

Bringing Back Fats

A revival of Ain't Misbehavin', featuring the original cast, is now playing on Broadway. Critic-at-large Laurie Stone says she jumped at the chance to see it. Overacting and exaggerated choreography plagued the first act, but the cast showed restraint during the last half.

Review
06:33

Celebrating Bernstein's 70th Birthday

Classical musical critic Lloyd Schwartz says the new CD, The Bernstein Songbook, avoids the composer's orchestral flops, instead featuring excerpts from his exuberant operas and musicals.

Review
06:25

RCA Reissues Two Kurt Weill Recordings

"Berlin" and "American Theater Songs" are now available on a single CD, featuring Weill's wife and collaborator Lotte Lenya. But some of the songs have been cut or edited for brevity. Classical music critic Lloyd Schwartz calls that decision "immoral," and says the original LPs are now more essential than ever.

Review
07:00

The Art of Singing Operetta.

Classical music critic Lloyd Schwartz reviews a new CD featuring French soprano Renée Doria. The selections were recorded between 1944 and 1970.

Review
09:59

Sound Designer Martin Levan.

Sound designer Martin Levan. He was responsible for the sound of Andrew Lloyd Weber musicals "Song and Dance," "Starlight Express" and now "Phantom of the Opera."

Interview
06:57

New Recordings of Gershwin Musicals.

Classical Music Critic Lloyd Schwartz reviews two recordings of the Gershwin musicals "Of Thee I Sing" and "Let 'Em Eat Cake." They were both conducted by Michael Tilson Thomas earlier this year on the fiftieth anniversary of the composer's death.

Review

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