Music

A new tribute album celebrating Buddy Holly has just been released, featuring artists like Lou Reed, Paul McCartney and Cee Lo Green. Rock critic Ken Tucker says Rave On, Buddy Holly is the "rare tribute album that, by and large, succeeds artistically."

The King of In Between is Jeffreys' first album of new music in more than a decade. Hailed as Rolling Stone's Best New Artist in 1977, Jeffreys later had more success overseas. Rock critic Ken Tucker says the new album showcases a lively artist who remains artfully ambivalent.

Senso, a 1954 Italian political melodrama, and Two Sisters From Boston, a 1946 Hollywood comedy, couldn't be more different — except they're both set at the opera. Classical music critic Lloyd Schwartz says he loves them both.

The star is admired for his guitar playing, and for the way he mixes elements of country and rock music without pandering to either audience. Ken Tucker says that Paisley's new album, This Is Country Music, is less a manifesto than an enjoyable way to hear him expand his fan base.
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Taborn's solo album is full of wide-open spaces between notes, and very quiet dynamics.

The late Ellen Willis was the first pop-music critic for The New Yorker. A new anthology, Out of the Vinyl Deeps, collects her thoughts on Dylan, Joplin and The Rolling Stones, among others. Critic Ken Tucker says the anthology "resurrects a nearly lost, vital, invaluable voice" in pop music.

Akinmusire would rather fit into a cohesive band and spread the solos around than put himself way out front.

Saadiq has become one of the leading lights in the "neb-soul movement." Rock critic Ken Tucker says the singer's new album, Stone Rollin', broadens his canvas to take on other soulful styles, as well.

The Impulse jazz label, famous for its fold-out black and orange album covers, turns 50 this year. To celebrate, the label has released a box set featuring its early releases. Jazz critic Kevin Whitehead says the set showcases the diversity and talent of the musicians Impulse recorded.

Over the course of 40 years, Iggy Pop has changed from a noisy brat with seemingly no chance at stardom to a widely respected founder of punk. A new box set, Roadkill Rising, collects many of his unreleased bootlegs.

The Canadian singer-songwriter discusses the death of her sister and singing partner Kate McGarrigle, who died in 2010. Their early albums have been remastered and are part of a new collection, which also includes previously unreleased songs.

Wainwright has just released an elaborate box-set career retrospective called 40 Odd Years -- and the pun in the title is definitely intended. Rock critic Ken Tucker says it presents the singer-songwriter just the way his music does, artful warts and all.

Hot Sauce Committee Part Two is the first Beastie Boys album since the all-instrumental 2007 collection The Mix-Up. Rock critic Ken Tucker says the new record is fresh and vital because it sounds so old-fashioned and defiant.

Conductor James Levine is known for bringing out the best in musicians and ensembles. Here, he reflects on his 40-year tenure with the Metropolitan Opera, his life in music and back troubles that recently led him to step down as the musical director of the Boston Symphony Orchestra.

Roy Orbison didn't really find his identity until he signed with a small Nashville label, Monument, in 1959. Ed Ward looks at the 17 singles that put him, and the Monument label, on the map.

The singer-songwriter's new album, Hard Bargain, includes a new song about her days with country-rock pioneer Gram Parsons and a tribute to her late friend, singer-songwriter Kate McGarrigle.

Since the 1960s, the electric guitar has provided a bridge between international folk cultures and modern pop music. An example today is the singer and guitarist Bombino from Niger, whose album Agadez contains currents of blues and rock, along with traces of African folk.

Folksinger Hazel Dickens, a pioneer for women in bluegrass music, died Friday. She was 75. Fresh Air remembers the feminist role model with excerpts from a 1987 interview.

Saxophonist Tim Berne came up on New York's so-called "downtown scene" 30 years ago. That scene is known for postmodern jump-cutters like John Zorn, who'd leap from one style to another in the space of a beat. But Berne went another way; he's fascinated by gradual transitions.