Music

The smart songwriter behind the much-beloved "Hey Sandy" returns after eight years. Dear Mark J. Mulch, I Love You is full of smart wordplay and Mulcahy's unmistakable voice, but it's also driven by loss

Between 1962 and 1965, The Beatles were featured on 53 BBC radio programs. For The Beatles: The BBC Archives, executive producer Kevin Howlett had to search for many of these recordings, and they weren't easy to find.

Live at Carnegie Hall captures a riveting experience with the Metropolitan Opera Orchestra and a beloved conductor, James Levine, who has been plagued with a variety of medical troubles.

Dave Van Ronk's autobiography inspired Joel and Ethan Coen's new movie about a '60s folksinger. Though he died in 2002, a new anthology ought to help give Van Ronk a long-needed boost.

Whether glossy and heartfelt (Clarkson's Wrapped in Red) or earnest and playful (Lowe's Quality Street: A Seasonal Selection for All the Family), these albums can help conjure a holiday mood in the month before Christmas.

Down-home and majestic, the tenor saxophonist's sound was like a cane stalk shooting up out of rich earth. His 1960 album The Book Cooks features fellow sax-man Zoot Sims in a friendly square-off.

Industrial musicals were like Broadway shows, only written and performed for corporate sales meetings or conventions. And as ridiculous as the songs were — "My bathroom, my bathroom is a private kind of place" — they were often delivered by very talented people.

Alchemy is a step forward in defining and refining the trumpeter's mix of jazz and Iraqi rhythms.

Ken Tucker calls the country singer-songwriter's new 12 Stories a "modestly amazing album." Every song is striking, textured and finely detailed.

"In Lou Reed's world, when you were Lou's friend you knew it," his longtime publicist Bill Bentley tells Terry Gross. Fresh Air dedicates an entire hour to the transgressive and transcendent Velvet Underground co-founder, with music and commentary by original Velvets John Cale and Maureen Tucker.

What had been an infrequent novelty — mixing electronic and '30s beats with scat and big band-ish horn solos — has become more and more common among European dance musicians and producers. Critic Milo Miles looks at two compilations that highlight this European dance trend.

The singer-songwriter's new album sounds like a collection of songs that could have been sung a hundred years ago, or written and recorded just a few weeks ago. She's joined on the album by her ex-husband, Richard Thompson, and their three children.

Set in London in the early 1930s, the five-part miniseries is about a black jazz band trying to crack the dance halls and radio playlists. Critic David Bianculli says this music-centered show features full, unpredictable characters and some exceptionally intriguing performances.

As part of Crosby, Stills & Nash, the British singer-songwriter helped define a West Coast sound. Here, he discusses the influence of Buddy Holly, The Everly Brothers and marijuana on his career, as well as his new memoir, Wild Tales: A Rock & Roll Life.

Musical duo The Blow, in which the singing of Khaela Maricich meets the mixing of Melissa Dyne, has just released a new eponymous collection. Critic Ken Tucker says the electro-pop on the album is self-aware, sexy and smart — and, while informed by the art world, never dips into "art-rock" territory.

On Three Chords and the Truth, bluegrass musician James King picks from the canon of country music to rearrange its songs as bluegrass. On The Bluegrass Album, country star Alan Jackson has recorded his first collection of bluegrass music — some classics, some originals.

The jazz pianist uses his new record to recall works of yesteryear and simultaneously illustrate his new sense of direction. Jamal isn't playing the way he did 60 years ago, now that he's finished warming up.

In few operas does all the mayhem express what underlies George Benjamin's Written on Skin. The work conveys a profound awareness of human cruelty and its inextricable connection to passion and art.

Can the highly publicized band turn its hype into hits? Ken Tucker wants to join the fan club.

Prism features one of the loudest bands of the bassist's career. The pleasures of the groove here are complex and deep — it's not just about moving feet.
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