Music

Rock historian Ed Ward says the term has been mis-applied, often describing bands that record labels saw as commercially viable, rather than the kind of music they played. He says that Bob Dylan pioneered the folk-rock sound; British bands like Fairport Convention and Steeleye Span helped it evolve.

Jazz critic KEVIN WHITEHEAD reviews a reissue of a MILES DAVIS album that was originally the soundtrack for Louis Malle's first feature film.

The Texas-based pianist joins Fresh Air to sing a classic boogie-woogie song and a piece of her own, about Mobile, Texas.

Ken Tucker returns with his latest countdown of noteworthy songs. His list features Roachford, Peter Case, Tim Finn, The Fabulous Thunderbirds, and Elvis Costello.

The contemporary composer, known for his difficult and ironic music, has as new album of tone poems, narrative orchestral music, and works for a children's choir. Classical music critic Lloyd Schwartz has this review.

The queen of New Orleans soul would have been a bigger star if she had moved to New York or Los Angeles earlier in her career, argues rock historian Ed Ward. Despite her local success, Thomas only had a few national hits. But by all accounts, she's happy now, performing in regional blues circuits and raising her four children.

Part one of the Fresh Air interview with Bob Balaban. He made his directorial debut with Parents, about a suburban family's dark secret. As an actor, he starred in Close Encounters of the Third Kind and Absence of Malice.

Self-professed Ellington fanatic Kevin Whitehead reviews Recollections of the Big Band Era and Piano Duets, both of which, he says, reveal why the composer and pianist was so admired by later jazz innovators like Cecil Taylor.

Three members of the popular band join Fresh Air to perform a few songs to showcase their distinctive Louisiana sound.

Rock critic Ken Tucker says that, with the rise of bad boys and neo-traditionalists in country music, fans and critics have overlooked several accomplished women artists. He reviews new albums by four singers worth checking out.

Ken Tucker reviews the home video release of I Wanna Hold Your Hand, about a group of teenage Beatles fans in New Jersey. The film, directed by Robert Zemeckis, was a commercial fop, but Tucker, who says it's insightful without indulging in cliches, hopes it will find a new audience on tape.

Classical music critic Lloyd Schwartz reviews a new Smithsonian box set of American musicals from throughout the twentieth century. His only complaint is that, with such a wealth of archival material, he wonders why more serious and contemporary music was included.

Drummer Chris Frantz and bassist Tina Weymouth are a married couple who comprise the Talking Heads' rhythm section. Despite the band's success, they found it hard to support their two children. To make ends meet, Frantz and Weymouth started a new band called Tom-Tom Club. Their new album is called Boom Boom Chi Boom Boom.

Small Faces were contemporaries of The Beatles and The Rolling Stones, but never reached the same level of fame, in part because they failed to break onto U.S. charts. Rock historian Ed Ward says it's a shame -- they broke up soon after hitting their stride in 1968 -- but the members later found success with Humble Pie and Rod Stewart.

Jazz critic Kevin Whitehead reviews neo-bop drummer Ralph Peterson's first album as a bandleader. Whitehead praises Peterson's dynamic and energetic approach, particularly in how he backs soloists -- all of whom shine.

Jazz musician and historian Loren Schoenberg profiles Red Norvo, a pioneering xylophonist who began his recording career in the 1930s.

Rock critic Ken Tucker says the music coming out of Los Angeles today has come a long way from the soft rock sound of the 1970s. But no one style dominates the city -- there's some good pop and rock, but Tucker is most excited by rap artists from Compton.

Cellist Janet Horvath suffered from tendinitis, which was caused by overzealous practicing. Now fully recovered, she works to call attention to the numerous playing-related ailments and injuries professional musicians of all kinds are subject to.

Classical music critic Lloyd Schwartz reviews a new collection of recordings by the African American singer Marian Anderson, a contralto known for her masterful rendition of art songs and spirituals.

Rock historian Ed Ward says its time we give bubblegum pop another listen. In contrast to the bombastic concept albums of the 1970s that were released at the same time, these one-off songs were catchy and accessible, and helped expand rock and roll's fanbase.