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08:19

The Best of the Rock Box Sets.

There's been a flood of CD anthologies this year documenting the careers of many great early rock and rollers. Rock historian Ed Ward tells us what ones he likes best, and what ones would make the best Christmas presents.

Review
10:35

The Godfather of Soul's Sax Player

Maceo Parker was a member of James Brown's horn section. Parker was hired along with his brother, but soon made a name for himself. His new album is a straightforward jazz record, called Roots Revisited.

Interview
07:26

Sly Stone's Work as a Producer.

Rock historian Ed Ward examines the other side of Sly Stone. In the 60s and 70s Stone was the flamboyant leader of the group Sly and the Family Stone, but he was also an accomplished record producer.

Commentary
06:59

George Clinton is Following Instead of Leading on New Album.

Rock critic Ken Tucker reviews "The Cinderella Theory," the new album by the master of funk, George Clinton. Clinton began his musical career when he formed The Parliaments. But it's with his densely layered rhythm lines and rap that Clinton has made his mark on music, defining the funk sound and culture. His best-known songs include "Tear the Roof Off the Sucker," "Atomic Dog" and "Think! It ain't illegal yet."

Review
22:32

George Clinton On His Musical Inspirations

The master of funk, George Clinton. He began his musical career as a teenager when he formed The Parliament. But in the early 70s, Clinton put together a second group, "Funkadelic," that became enormously influential on the pop music scene. Their 1970 album, "Osmium," set the tone for Clinton's wickedly eclectic style; songs ranged from metaphysical gospel to country and acid rock. But their big hit came with the album "Mothership Connection." In songs like "Tear the Roof Off the Sucker," "Get Up on the Downstroke" and "Think!

Interview
06:59

The History of Funkadelic.

Rock historian Ed Ward profiles The Funkadelic, a black psychedelic band whose big hit was the 1978 song "One Nation Under A Groove." Several members of the band, including leader George Clinton, started out with The Parliaments, a fifties Doo-Wop group.

Commentary

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