Composers

A live concert with New Orleans songwriter, pianist and singer Allen Toussaint. Tousaint has performed extensively as a session pianist and producer and has written dozens of hits for New Orleans groups like The Nevilles, Irma Thomas, for Paul McCartney, The Wild Tchoupitoulas and The Meters.

Jazz Critic Kevin Whitehead profiles trombonist and composer Rod Levitt. Levitt, who wrote for marching bands and played in the pit at Radio City Music Hall, drew from every musical style available in the 50s.

Composer William Bolcom. He is best known for his humorous and accomplished piano accompaniment of his wife, the singer Joan Morris, in their performances of American popular songs. His own compositions include the vast choral cantata "Songs of Innocence and Experience," that sets the poems of William Blake to music. He won this year's Pulitzer Prize in Music. Bolcom is also renown for his ragtime compositions, especially his work "Graceful Ghost."

New Orleans pianist and singer Mac Rebennack, a.k.a. Dr. John, performs the last segment of a seven-part performance series. Up to now he's payed homage to other New Orleans musicians, like Professor Longhair and Louis Armstrong. But this time he plays his own music. He calls it "homegrown Dr. John the Night Tripper Music."

Jazz Critic Kevin Whitehead pays tribute to bandleader and arranger Gil Evans, who died on March 20. A reissue of Evans' music from the early 60s has just been released, and Whitehead uses that record to comment on Evans' varied contribution over the course of his 40-year career.

Classical music critic Lloyd Schwartz reviews the first two compact discs of Stravinsky conducting his own music. Included are two of Stravinsky's most accessible works, "The Rite of Spring" and "Petrushka." Also included are three abstract scores, "Symphony in C," "Symphony in Three Movements," and "Symphony of Psalms."

Tango innovator Astor Piazzolla. Since the early 60s, Piazzolla has been leading groups that play an updated tango that connects this Argentinian form with the musical innovations from Europe and America, both classical and contemporary. The adjustments have earned him the enmity of Argentinians, and for most of the 70s he lived in France where he wrote film scores. Piazzolla is a classically trained composer who wrote symphonies and studied with Nadia Boulanger, the renown French instructor of composition.

Jazz Critic Kevin Whitehead reviews "Cracked Sidewalks" the new album from tenor saxophonist Rich Halley and his sextet. Halley lives in Oregon, a reminder, Kevin says, that not all jazz is spawned in New York.

Ian Whitcomb, an Englishman in love with American music. Since first coming to the United States in the early 60s, he has devoted his career to promoting and keeping alive the tradition of American popular song, particularly those from the Tin Pan Alley era.. His new book, Irving Berlin and Ragtime America, salutes the music of Irving Berlin, who will celebrate his 100th birthday this year.

Jazz Critic Kevin Whitehead reviews "Your Eyes," the second big band album by the Norwegian pianist and composer Per Husby.

Television Critic David Bianculli shares his favorite current TV themes, the music that helps establish a show's identity before anything happens on the screen.

Jazz composer and conductor Bill Lee. He composed the scores for the films "She's Gotta Have It" and "School Daze," both written and directed by his son, Spike Lee. "School Daze," Spike Lee's most recent film, is loosely based on his experiences at Moorehead College in Atlanta, the same college Bill Lee and his father attended.

Jazz pianist Sumi Tonooka plays an excerpt from "Out From Silence," a work inspired by her mother's internment in a camp for Japanese-American during World War II. Tonooka is joined by Ronnie Seldin, playing the shakuhachi, a traditional Japanese flute.

Avant-garde accordionist and composer Guy Klucevsek. Klucevsek grew up in western Pennsylvania, where polkas were a poplar musical form. Klucevsek has since developed an alternative polka style, best exemplified in his work on `"Polka From the Fringe," 23 three-minute polkas composed by a variety of experimental artists.

Andrew Porter. He's the classical music critic for The New Yorker Magazine. He's just published a collection of his articles in a book titled Musical Events.

Chicago-based composer, arranger and tenor saxophonist Edward Wilkerson. He leads the big band Shadow Vignettes, whose 1986 album, "Birth of a Notion," was on most jazz critic's lists as one of the top ten albums of that year. In Wilkerson's newest album, titled "Eight Bold Souls," he leads a smaller group, an octet.

Classical music critic Lloyd Schwartz reviews a new Northeastern recording featuring flutist Fenwick Smith playing music by Aaron Copeland and Arthur Foote.

John McCutcheon performs two songs on his hammer dulcimer.

Guitarist Ry Cooder. His career consisted of one-night stands until he began writing the scores for films. His credits include "Paris, Texas" and "Crossroads." He's just come out with a solo album, his fist in six years. (INTERVIEW BY LIANE HANSEN)

Classical Music Critic Lloyd Schwartz reviews a recent recording of Alexander Zemlinsky's "The Mermaid," a work forgotten for almost 80 years. Zemlinksy's greatest influence was on the Viennese School of 20th century music.