Film

A new film imagines what happened when Elvis Presley met President Nixon on Dec. 21, 1970. Film critic David Edelstein says Elvis & Nixon "shows the crazy-making insulation of celebrity."

Actor Tom Hanks talks about his new film A Hologram for the King, his production company Playtone, playing courageous, tested men in Captain Phillips, Saving Private Ryan and Apollo 13, and growing up in a fractuous family.

Critic David Edelstein reviews The Huntsman: Winter's War, a sequel to the 2012 movie, Snow White and the Huntsman, and Tale of Tales, an adaptation of a group of 17th century Italian folk stories.

Jon Favreau's adaptation of the Disney classic reprises the story of a little boy raised by wolves. Critic David Edelstein says The Jungle Book seamlessly blends computer animation and storytelling.

Point-of-view is passed like a baton among the tortured main characters in Joachim Trier's new film. Critic David Edelstein says Louder than Bombs is intimate, touching and "insistently alive."

Neon Bull is set amidst Brazil's version of rodeo, the vaquejada by film maker Gabriel Mascaro.

The new Miles Davis biopic begins in the 1970s, at the end of Davis' five-year hiatus from the music scene. Critic David Edelstein calls Don Cheadle's portrayal of the musician "electrifying."

Jacob Bernstein named his documentary about his mother after an Ephron family saying — "everything is copy," meaning that anything and everything that happens to you is fair game to write about.

Arnaud Desplechin's new film centers on the memories of a middle-aged Frenchman who returns to Paris after years of living abroad. Critic John Powers says My Golden Days is "achingly romantic."

Director Zack Snyder layers subplot on top of subplot in his film of battling superheroes. Critic David Edelstein says Batman v. Superman is full of fragments and teases, and overall, "just awful."

Author Petrine Day Mitchum tells Fresh Air's Dave Davies that show business horses have been known to develop an actor's affection for the camera, often coming to life when the director says "action."

Writer-director Trey Edward Shults cast his own family in his home-for-Thanksgiving psychodrama. Reviewer David Edelstein says Krisha "marks the arrival of a truly adventurous, humanist filmmaker."

Tina Fey plays a neophyte reporter charged with covering the Afghanistan occupation in Whiskey Tango Foxtrot. Critic David Edestein says the film isn't bad, so much as "shapeless and blandly apolitical."

Known for her recent work in Downton Abbey and the Harry Potter films, the Oscar-winning actress now stars in The Lady in the Van, a film about an elderly woman who lived in a van for 15 years.

Tobias Lindholm's Oscar-nominated film tells the story of a Danish commander's error in judgment during the war in Afghanistan. Critic David Edelstein says A War will "leave you in pieces."

Ryan Reynolds stars as a soldier-turned-mutant-super-hero in Marvel's Deadpool. Critic David Edelstein calls the film an "unprecedented R-rated ... romp with dirty sex talk and tons of splatter."

George Miller's latest Mad Max film, Fury Road, has been nominated for 10 Academy Awards, but the director still isn't sure how the movie will hold up over time.

The new period comedy by Joel and Ethan Coen takes place backstage at a 1950s Hollywood studio. Reviewer David Edelstein says that despite flashes of brilliance, the film "feels thin."

Rick Famuyiwa's new film is about a black high-school student who's into 90s hip hop and Japanese comic books. He calls Dope a celebration of kids whose interests don't fit into pop-culture norms.