Musicals

Classical music critic Lloyd Schwartz reviews a never-before-released recording of two Kurt Weill pieces...."The Lindbergh Flight," a collaboration with Bertolt Brecht, and "The Ballad of the Magna Carta," with a text by Maxwell Anderson.

Filmmaker John Waters. His latest film is "Cry Baby," a juvenile delinquent love story set in the 1950's, which brings together such performers as Patty Hearst, Johnny Depp (of Fox's tv show "21 Jump Street"), Ricki Lake, David Nelson, and Polly Bergen. Waters is known for his independent, off-beat films, such as "Pink Flamingos," "Female Trouble," and "Polyester." In 1988 Waters entered the mainstream with his popular film, "Hairspray."

Classical music critic Lloyd Schwartz reviews a new reissue of the 1932 recording of "Show Boat," on CD. It includes performances by Paul Robeson and Helen Morgan. (It's part of the CBS Special Products Series).

Writer, producer, and director Arthur Laurents. Laurents wrote the stories for the plays "Gypsy" and "West Side Story" and the screenplays for the movies "The Way We Were" and "The Turning Point." Laurents is currently directing the Broadway revival of "Gypsy," starring Tyne Daly.

Actress Elaine Stritch. She appears this week on public television's "American Playhouse" series, starring in Richard Nelson's story of three aging friends. Elaine Stritch is an established Broadway star, who appeared on Broadway in "Company," "Pal Joey," "On Your Toes," and "Bus Stop." She currently stars on Broadway with Jason Roberts in "Love Letters," and she plays Mrs. McGee on "The Cosby Show." (Interview by Sedge Thomson)

Classical music critic Lloyd Schwartz reviews the soundtrack of the new Broadway revival of Anything Goes.

Stephen Harvey, associate curator in the Department of Film of The Museum of Modern Art. The museum is currently showing a retrospective of the films of director Vincente Minnelli, including "Meet Me in St. Louis" and "An American in Paris." Harvey has written the companion book to the retrospective.

Film critic Owen Gleiberman (gly-ber-man) reviews the new Walt Disney animated movie, "The Little Mermaid."

Actor Jerry Orbach. Orbach has had a long career on Broadway, starring in shows such as "The Three Penny Opera," "Promises, Promises," and "42nd Street." More recently he's appeared on TV and in films. His latest role is in the new Woody Allen movie, "Crimes and Misdemeanors."

Choreographer Eliot Feld. He founded the Feld Ballet in 1974 as a place where classical ballet and modern dance could exist together. The company is still going strong, touring throughout America and overseas. Feld has also created ballets for many of the world's great companies, among them the American Ballet Theatre, the National Ballet of Canada, and the New York City Ballet.

Songwriters Hugh Martin and Ralph Blane. They wrote the songs for the 1944 Judy Garland film classic, "Meet Me in St. Louis," including "The Trolley Song" and "Have Yourself a Merry Little Christmas." A musical based on the film is opening on Broadway this week.

Film critic Stephen Schiff reviews the new movie, "The Fabulous Baker Boys," starring Jeff and Beau Bridges and Michelle Pfeiffer.

Classical music critic Lloyd Schwartz has a review of a never-before-recorded Kurt Weill (Vile) opera. Weill is best-known for his collaborations with playwright Bertolt Brecht, such as "The Threepenny Opera" and "The Rise and Fall of the City of Mahogany".

Classical music critic Lloyd Schwartz reviews a new release of Mozart's comic opera, "The Abduction from the Seraglio." It's a 1961 performance of a little known German comedy by Mozart, but Lloyd says it compares favorably with his best known Italian works.

Actor AVERY BROOKS. He reached stardom with his TV portrayal of "Hawk," the strong, almost silent partner in the detective series "Spenser for Hire." He took that character into its own series last season. Brooks brings to his TV work the same concern for African-American culture that has marked his stage career and his life. He won acclaim for his reinterpretation of the Harriet Beecher-Stowe character "Uncle Tom" in a production on the Showtime cable channel, and for his stage portrayal of Paul Robeson.

Pennebaker, who died Aug. 1, pioneered a cinéma vérité style of filmmaking in documentaries like Bob Dylan: Don't Look Back and The War Room. Originally broadcast in 1989.

Filmmaker D.A. Pennebaker. One of America's foremost documentary producers, Pennebaker has brought his cinéma verité approach to subjects ranging from Castro's Cuba, to Jimmy Carter's energy policy, to Bob Dylan's first tour of Britain. Music has been the source of much of Pennebaker's work. His films have featured the likes of Pablo Cassals, Van Cliburn, jazz singer Dave Lambert, rocker David Bowie, John Lennon and Yoko Ono.

Linguist Geoff Nunberg reflects on the use of racist terminology in the musical Show Boat. He says that later revisions were still problematic: they illustrated the enduring assumption that white liberals can accurately and authentically portray African American culture.

Classical music critic Lloyd Schwartz reviews a new Smithsonian box set of American musicals from throughout the twentieth century. His only complaint is that, with such a wealth of archival material, he wonders why more serious and contemporary music was included.

Critic Ken Tucker reviews the home video release of The Great Ziegfeld, a biopic about the famed impresario. The film won the Academy Award for Best Picture, an honor Tucker says was undeserved. Yet the film is fun, despite some slow moments, and paints a clear picture of a bygone era of of Hollywood.