Vaudeville

By age 5, Keaton was a star in his family's vaudeville act; he went on to star in and direct silent films, performing jaw-dropping stunts. Slate film critic Dana Stevens profiles Keaton in a new book.

We remember comedian Henny Youngman with a 1991 interview. He died yesterday from complications from the flu. He was 91 years old. (Rebroadcast of 10/17/91)

Silent film legend Buster Keaton was born 100 years ago today. Kino Video collected many of Keaton's films in box set. An interview with Keaton from the set will be played. We will also hear a portion of guitarist and composer Bill Frisell's score for Keaton's film "Go West."

Veteran standup comedian Henny Youngman. Youngman has a new memoir, called "Take My Life, Please." (It's published by Morrow).

Critic-at-Large Laurie Stone discusses the magic and comedy act of Penn and Teller.

Ralph Allen says that burlesque theater started off at the turn of the century as a comedy revue; it wasn't until the 1930s that the tradition took on its more erotic elements. Allen cowrote the play Sugar Babies, which has been produced worldwide.

Larry Adler grew up in Baltimore and started playing the Vaudeville circuit as a teenager. He later pursued classical music, even though no repertoire existed for his instrument. Blacklisted during the McCarthy era, Adler moved to England, but still returns to the States to perform.

Avner Eisenberg, known as "Avner the Eccentric," is a "new vaudevillian"; he uses juggling, magic, acrobatics, and clowning in his act. Eisenberg also performs as a theater actor. He also appeared in the film "Jewel of the Nile."

Bill Irwin's art draws on diverse influences, including the American vaudeville tradition, clowning, and ballet. His unique approach to dance is featured in his new show, Regard of Flight.

Vernel Bagneris is a playwright, actor, and dancer. He wrote, directed, and acts in the musical "One Mo' Time," now playing in Philadelphia. The musical is set in 1920s' New Orleans and draws heavily on the jazz from that time and place. It centers around a touring group of vaudevillians performing at the segregated Lyric Theater. Bagneris describes it as a "piece on Black theater history." He joins the show to discuss the musical, the black vaudeville circuit, black face, and the benefits of live performance.