Terry Gross

Retired Astronaut and former test pilot Alan Shepard. He was America's first man in space in 1961; the voyage covered 302 miles and lasted 15 minutes. Ten years later with Apollo 14, he made it to the moon, playing golf on the moon's surface. (In 1969, the Apollo 11 landed on the moon, and Neil Armstrong was the first man to set foot on the moon). Early in his space career, Shepard was diagnosed with an inner ear syndrome which could have ended his career. Shepard grounded himself in 1963 and became Chief of the Astronaut Office.

Independent film director, producer and writer Rose Troche. She and co-producer and co-writer Guinevere Turner have made the new lesbian comedy, "Go Fish." The movie is being hailed as the newest "crossover hit." The two say they wanted to make a film about the community they lived in: "young, urban, multicultural, out, and burning up the phone lines gossiping about who went home with who last night." (The film played at the New York Lesbian and Gay Film festival in May, and opens at the San Francisco International Lesbian and Gay Film Festival, June 9.

Band leader and clarinetist Artie Shaw. In the 1930s and 40s his band ranked with the Goodman, Dorsie, and Miller bands in popularity. But he rejected many of the pop tunes and stuck with music by composers like Porter, Gershwin, and Berlin. Shaw is also known for working with many fine Black musicians and singers, including Billie Holiday. Shaw is now retired from performing. (From an interview recorded on 12/24/1985).

Band leader and composer Mercer Ellington. The son of Duke Ellington, he perpetuates the big band tradition his father made famous as head of the Duke Ellington Band. When he was a young man, Mercer Ellington had hoped to break into his father's band on the saxophone. But after years of frustration, he could see that he would never crack the legendary Ellington reed section. He finally was accepted as a trombone player and later played french horn and trumpet. With the death of his father in 1974, Mercer Ellington took over his father's orchestra.

Band leader Woody Herman. This interview was originally recorded on August 19, 1986. Herman was the leader of numerous big bands, all variously called The Thundering Herd. His bands were noted for their dazzling improvisation combined with their incisive ensemble playing. (HERMAN died in 1987)

The biggest event in soccer, the World Cup, takes place in the United States this month (June 17 - July 17), in nine different cities. Journalist Pete Davies will talk with Terry about the game so few Americans know about. He's written a new book about the game and the upcoming event, "Twenty-Two Foreigners in Funny Shorts: The Intelligent Fan's Guide to Soccer and World Cup '94." (Random House).

Playwright, NPR commentator, housecleaner and former elf to Santa, Davis Sedaris. He launched his radio commentator career with his "SantaLand Diaries," broadcast during NPR's "Morning Edition in 1992. His humor has been described as a "caustic mix of J. D.

Johnston has four albums to his credit. The latest is, "Unlucky." His previous album, "Can You Fly," brought him to attention of many critics and garnered him much acclaim. Despite his love of hard rock, Johnston's songs have been described as "post-punk honky-tonk. . . performed by a lonely, heartbroken wiseass."

Beck is a 23 year-old hip/hop folk rocker, who goes by first name only and whose single, "Loser" has become the anthem for the underachievers of Generation X. His music has been described as "triumphantly anti-professional, idiot-savant music in which a heartfelt solo can be provided by kazoo as easily as guitar." Beck was part of the Los Angeles underground, with songs like "MTV Makes Me Want to Smoke Crack." Beck's first album, "Mellow Gold," (released on DGC) was recorded at home on four and eight-track recording equipment.

Scholar and activist Henry Louis Gates, Jr. He's Professor of English and Chairman of Afro-American Studies at Harvard and one of Afro-American studies most visible and controversial proponents. Gates believes that Black studies should be a methodology, not an ideology, and that you don't have to be black to teach African-American literature.