Ed Ward

Sloan and Barri were the songwriters behind "Eve of Destruction" and wrote hits for Herman's Hermits, The Mamas and the Papas and The Turtles. Critic Ed Ward examines their career and their many successful songs.

The Beatles' Apple Records put out the Fab Four's own singles and albums, as well as music by other performers the individual Beatles liked. Critic Ed Ward takes a look behind the scenes at Apple Records, and at the full albums the label released.

Apple Records released 31 albums and 52 singles from younger acts it hoped would flourish. Ed Ward reviews Come And Get It: The Best of Apple Records, a collection of the label's remastered and re-released tracks.

One of American popular music's great enigmas, says critic Ed Ward, is what would have happened to Patsy Cline's career if it had lasted longer. She was poised to revolutionize the role of the solo female singer, as well as Nashville's place in the music business, when she was killed in a plane crash. Decca has just released her complete recordings on an album called Sweet Dreams.

Critic Ed Ward tells the story of one of the most unusual female soul singers to come out of the early 1960s. Sugar Pie DeSanto, who grew up with Etta James, rose to national prominence when her single "I Want to Know" reached the Billboard charts. Fifty years later, she continues to perform and do her signature move, a back flip, on stage.

Of the three great blues guitarists named King -- B.B., Albert and Freddie, -- arguably the most influential was also the least well-known: Freddie. But his most important work has been unavailable until recently. Critic Ed Ward review a recent release, Taking Care of Business, which spans much of King's career.

The name Louie Ortega doesn't spring to mind when Mexican-American contributions to rock 'n' roll history come up. But at least for some people, he's a legend based on a band he put together in Prunedale, Calif., in the late 1960s. Critic Ed Ward, who has been a fan since he first heard the band, celebrates the release of its long-rumored second album.

The release of a new collection of Jimmy Donley songs, The Shape You Left Me In, suggests that there was more to Donley than his tormented biography indicates. Critic Ed Ward explains.

Wilson Pickett helped define 1960s soul, along with Sam Cooke, Marvin Gaye, Otis Redding and James Brown. Critic Ed Ward reviews Funky Midnight Mover, a new six-disc compilation of Pickett's recordings, released by Rhino Handmade.

In 1975, Michael Abrasion decided to photograph the blues clubs of Chicago. The pictures Abramson took in Pepper's Hideout, among other venues, have been released in a set called Light on the South Side. Jazz critic Ed Ward takes a listen to Pepper's Jukebox, the CD released along with the photographs.