Ed Ward

Huey Meaux wound up in jail twice, but he sure had a knack for finding talent in unlikely places.

One of America's great songwriters, Dan Penn, has written dozens of soul classics, often with keyboardist Spooner Oldham. For a while, the two were on the staff of Fame Studios in Muscle Shoals, Ala. Ace Records has just released an entire CD of Penn's demos.

Ed Ward takes a look at Philadelphia's long and complex history of black pop music. Specifically, he looks at small labels like Arctic, where several famous artists got their start -- and which has just released a set of CDs covering all 60 of its single releases.

In 1958, Lewis suffered a precipitous decline in popularity when people learned that his new wife was not only 13, but also his cousin. Nobody would touch his records. Then, in 1963, he signed a deal with Smash and it looked like things were getting better.

Cash spent half a century in the limelight as a country singer turned American icon. Between 1958, when he first recorded for Columbia, until 1986, when it didn't renew his contract, he recorded more than 50 singles and 60 albums for the label.

Before he became the guitarist for ZZ Top, Billy Gibbons was in a band called the Moving Sidewalks that just missed its shot at stardom. The album the Moving Sidewalks never released in the late 1960s was released in late 2012 and is very much a period piece, albeit a very well-made one.

Franklin found her voice in songs such as "I Never Loved a Man" for Atlantic Records in the 1960s. Before Atlantic, however, Franklin recorded for Columbia, and in those early recordings you can hear the legend just beginning to emerge.

In the early 1960s, Joe Barry combined Cajun and country music into a whole new sound. In honor of a new anthology of Barry's music titled A Fool to Care, critic Ed Ward tells the forgotten musician's story.

A new 12-disc compilation traces the history of electric blues from its inauspicious start through its heyday in the 1950s and '60s. Critic Ed Ward says Plug It In! Turn It Up! does "a great job of illuminating one particular aspect of the blues."

One of the great fantasies of the hippie era was that new combinations of music would emerge from the experimentation that was going on. Still, very few lived it. Ed Ward says The Insect Trust was one of the exceptions.